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What is zoom h6 – what is zoom h6:. Zoom H6 Handy Recorder in Pakistan

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The device records up to six tracks of bit/96kHz Broadcast WAV audio simultaneously, plus an additional two dB ‘safe’ backup tracks that can captured from. This Zoom H6 portable recorder has a USB port to allow for transfer of audio files to a computer or iPad. Features. Ultimate portable recorder. Supports Zoom.

H6 Audio Recorder | Buy Now | ZOOM.Zoom H6 Black – Thomann UK


It uses a system of interchangeable input capsules that are swappable. Likewise other H-series, it is also attached to a mic stand or a tripod or can also be mounted to the camera. The zoom mic capsule input accommodates the interchangeable capsules. It offers fast user-friendly operability with hold safety switches to disable front panel buttons.

This safety feature prevents accidental operations during recording. It does house some useful tools, though, such as a metronome, chromatic tuner and playback-speed adjustment setting, plus options such as Pre-record which captures a few seconds of audio before the record button is pressed , and a standard Auto record mode.

Most users will prefer to do their track editing in a DAW, but for those happy to get stuck in, the H6 offers normalise, trim and divide edit options, and a loop playback mode. It even allows overdubbing of up to 99 tracks per project! Once again, though, this functionality is something the user has to seek out from the menu pages.

As a computer interface, the H6 is not ideal, mainly for ergonomic reasons. Once most of its inputs have connections, and its USB socket is hooked up to a computer, the recorder and its attachments form an ungainly, spidery object, with leads extending from both sides, a display at one end, and its attachment mics at the other. For my tests I mounted the recorder on a sturdy camera stand, which made it easy to move around, but getting to the screen, then to the DAW, and then back to the recording position, while avoiding the leads, sometimes proved tricky.

If I was recording on location I’d certainly be inclined to invest in some high-capacity cards, rather than complicate matters further with a laptop. The mass of leads aside, though, the H6 does a decent enough job as an interface. My ageing copy of Sonar didn’t like the drivers and would not record, but I had no problems using the latest version of Cockos Reaper, and I soon had all six available inputs recording directly into the software, using the stereo return signal and headphones to monitor progress.

Another ergonomic issue comes as the result of Zoom’s decision to place the display at an angle so that the operator can see it easily. Unfortunately, this makes it almost impossible to see if seated in front of the mics, which is where self-recording artists are inevitably going to be. Their only guides are the red record indicator lights, found just above the track-arming buttons, which flash if a signal is too high. Fortunately the input level dials are quite accessible and visible from the front, although you have to remember that anti-clockwise is a level increase in that position!

Thankfully, Zoom must have thought so too, as each one is partially protected by a rim of hard plastic. The rim doesn’t go all the way around, though, as that would make turning the dials impossible, and would get in the way of the four pad switches which sit between the dials.

The pad switches’ positioning creates another ergonomic issue, as they are too close to the level wheels, making it very difficult to move them without altering level settings! On the plus side, the designers have done a very good job of shielding the mics from handling noise. Much of the casing is coated in some sort of rubberised skin, which obviously helps, and the result is a product that is as good at rejecting handling noise as any I’ve tested.

Nevertheless, for serious work using the attachment mics, mounting the recorder on a stand is essential. Filmmakers might be tempted to invest in the HS1 hot-shoe adapter, which enables the recorder to be mounted on the top of a camera, thereby reducing the number of tripods that are needed and ensuring that the mics are pointed in the same direction as the lens.

The Zoom H4n has been a favourite amongst budget filmmakers using digital SLRs, but the H6, together with options like the SGH6 shotgun capsule, seems to be much better suited to the job. It even has built-in camera strap mounts so that an operator can wear it around his or her neck, which will suit recording engineers who need their hands free for holding boom-mic poles and adjusting headphones. Nikon compacts excluding the Coolpix P are covered by a full 1 Year Warranty.

Panasonic cameras and lenses are covered by a full 2 Year Warranty. Fujifilm cameras are covered by a 2 Year Warranty. Lexar and Sandisk memory cards are covered by a Limited Lifetime Warranty.

Lowepro’s Limited Original Owner Warranty covers defects in materials and workmanship during the useful life of the product. The warranty does not cover damage caused by improper care. Please contact our service division straight away on – and notify them of the fault. You may also e-mail them at repairs orms.

During the warranty period, Orms will arrange collection of the faulty item, facilitate the repair and then ship the product back to the customer, bearing all risks and costs. Orms is not obliged to repair products that fall outside of the manufacturers warranty period, or products that are damaged accidentally, however Orms in seeking to deliver the highest standard of customer service will gladly assist the customer in having the product repaired via the network of repair agents with which Orms has business dealings.

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This period does not include Saturdays, Sundays and public holidays. The base price of R VAT is for a parcel up to 10kg in Volumetric and Physical weight.

A different rate will be quoted if handled manually through our camera sales department. Our delivery service only runs from Monday to Friday.

Saturday morning deliveries can be done by special arrangement only and at an additional charge. Please contact info orms. We reserve the right to re-quote the delivery fee should this become too expensive. Orms is not responsible for, nor can we offer, any specific advice regarding any customs related fees that you may incur. For specific information, please consult with your local government import office.

Privacy: Your privacy is important to us. We strive to exceed your expectations for privacy. Cross-border shipments are subject to inspection by customs authorities. We may also be called upon to provide certain order, shipment, and product information to our international carriers. Replacement Guides Audio Input Jack. Battery Terminal. Input Volume Knob. Mic Connector. Power Switch. Support Questions Ask a Question. Tools These are some common tools used to work on this device.


Zoom H6 – Saeed Enterprises


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If you believe that any information we are holding on you is incorrect or incomplete, please write to or email us as soon as possible, at the above address. We will promptly correct any information found to be incorrect. The H6 Handy from Zoom is a portable handheld recorder and USB audio interface that features an interchangeable microphone system. Optional module attachments can be purchased for expanded functionality.

The recorder allows you to record up to six channels at once and stores them to SDXC memory cards up to GB in size. It also features a backup-record option that tracks a duplicate of the left and right channels with db input gain. All products excluding batteries sold by Orms are covered by a minimum of a one year local warranty , reckoned from the date of purchase, to protect you against manufacturing defects. Canon video cameras including Legria and X-series are covered by a full 1 Year Warranty.

Nikon compacts excluding the Coolpix P are covered by a full 1 Year Warranty. Being a quiet preamp and beyond its exceptional quality of sound, the zoom H6 price in Pakistan is available with quality features making it better than any other recorder. Coming up from the H4, it really does sound better when using different microphones in particular.

It has the extraordinary advantage of getting access to 4 XLR inputs which are not only accepted balanced XLR cables but also quarter-inch Jacks for musical instruments as well. Furthermore, you don’t need to buy a power adapter for using this gadget. If you have an old iPhone cube charger you can just use it to stop being a portable recorder. It uses a system of interchangeable input capsules that are swappable.

Likewise other H-series, it is also attached to a mic stand or a tripod or can also be mounted to the camera. You can’t please all the people all of the time, of course, and the price of the Zoom H6’s versatility is paid in small frustrations that will irritate some users. The angled screen might be useful on top of a DSLR camera, but it is not helpful to artists recording themselves.

The layout of the inputs, mics and screen make the H6 unwieldy as a computer interface, and setting up the mixer pages on such a small yet heavily featured device is inevitably fiddly, particularly when some settings, like phantom power assignment, are accessed only from menus.

But overall, the H6 represents great value for the money, and for anyone wanting to invest in something which provides flexibility in terms of recording options, it truly stands out from the competition.

Edirol’s R26 is a six-channel recorder but, unlike the H6, it records three stereo pairs only. The shotgun and extra inputs attachments SGH6 and EHX6, respectively were not sent for review so no comment can be made about their performance, but judging by the way the H6 intelligently adapts its internal setup to the other two attachments, they should be no trouble to mount and start using.

It should be noted, however, that although the EHX6 input attachment appears to have the same features as the four on-board inputs, it does not provide phantom power. The H6 is capable of simultaneously recording up to six different channels of audio using a variety of microphone types and configurations.

It prioritises the act of recording, providing dedicated hardware controls so that recording is fast and simple. Other settings, though, are made via a menu system, which restricts the speed at which the operator can work.

The H6 also works as a 6-in, 2-out computer interface via USB. Alternatives Edirol’s R26 is a six-channel recorder but, unlike the H6, it records three stereo pairs only. Cost Options The shotgun and extra inputs attachments SGH6 and EHX6, respectively were not sent for review so no comment can be made about their performance, but judging by the way the H6 intelligently adapts its internal setup to the other two attachments, they should be no trouble to mount and start using.

Pros Flexible recording options. Swapping the attachments is easy and fast. Works as a 6-in, 2-out DAW interface. Hardware controls for all basic record functions. For the most part, the construction is very solid. Good integration with DSLR cameras. Some of the most important adjustments are buried in the menu system.

Pad buttons are too close to the level dials. Screen angle does not suit self-recording performers. No high-impedance input setting for guitars and basses. Summary The H6 is capable of simultaneously recording up to six different channels of audio using a variety of microphone types and configurations.

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